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7:00min, Canon 5DM2
Washington, DC
October, 2009
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Synopsis:
Suspicions of infidelity prompt three wives to call in a private detective, who
throws in a special service at no extra charge.
Production Notes:
Made for The National Film Challenge
Genre: Detective/Spy
Prop: Matchbox
Line of Dialogue: It feels like deja vu all over again
Character: Mike Schapiro (unemployeed)
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watch
4:56min, Canon 5DM2
Fairfax, VA
June, 2009
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Synopsis: A very busy professional woman is trying to make her deadline of finding the right candidate for her needs;
meticulous with her list of questions and a stopwatch, she goes through flurry of interviews, only to find that
the right man for the job may not be the one that is scheduled or timed.
Production Notes:
Made for the 72 hour shoot out by the aafilmlab, we had 72 hours to
write, shoot, and edit to a required theme. This year the theme was "Time's Up." We shot
primariy on the Canon 5D Mark 2, and using the HVX200 only for the steadicam shot.
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watch
1:00min, miniDV
Washington, DC
August 17th, 2007
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Synopsis: Two men at the nation's capitol battle over a mysterious black canister, using invisible swords.
Production Notes:
Made for the DC APA Film Festival trailer contest. This was my 2nd time doing this contest, and
this year, I had more time to prepare. Our first attempt to shoot in late July turned into a soaking disaster. Mother nature
decided to hammer us with a down pour just as the last person arrived on set. And of course, after we waited it out for a bit
and decided to pack up and leave, the rain stoped just as we drove away.
We tried again 2 weeks later and instead of rain I got sun burned. We shot for 4 hours along the Lady Bird Johnson
memorial statue along the GW parkway on the bike trial. The biggest problem we had was the constant flow of bikers,
who sped and honked at us like aggressive automobile drivers.
This is my first time doing an action film, and it was quite a learning experience. Becky, a Tae Kwon Do black belt and film
student had some great suggestions with her past experience in shooting martial arts films. I had several meetings
with Jon and Jason to discuss the choreography of the fight set, and I storyboarded every shot to ensure a fast and
smooth production.
The sound effects took forever to get right and match up.
My roommate had an entire CD collection of professional sound effects,
and whatever I couldn't find I recorded using 2 Wushu broadswords. It was also my first time working one-on-one with a
composer. Andrew Pham, a music major, did an excellent job with the composition. We had several email exchanges of music and
rough cuts and a live meeting to get the sound just right. He made over 9 versions of the music.
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watch
1:49mins, Blender 3D
Animation
December 15, 2008
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Synopsis: A lost and confused camera on a quest to find where it belongs.
Production Notes:
Made for the ScarletUser MiniFest. This was the first ScarletUser fest and I couldn't miss it.
With only 2 weeks before the deadline, the only way I could make something was to go the animation route.
It would also double as a learning project for blender and After Effects.
I used blender 3D for modeling, coloring, lighting, and animations
After Effects CS3 for VFXs, many thanks to video copilot.
Avid xPress Pro for editing.
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watch
2:40min, miniDV
Kyoto/Tokyo, Japan
November, 2007
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Synopsis: Yoshi must complete 3 strange tasks in Tokyo in order to see her son again.
Production Notes:
The idea for this film began on an impulse. During my 3 week vacation in
Japan, I came up with the idea to shoot a short film while peeling 200 persimmons on the farm. It
would seem overly sapping persimmon hands are a great recipe for screenwriting inspiration. Since
I had my DVX cam and bare-bones film equipment with me, plus 2 friends in Kyoto and Tokyo, I
figured what the hell. I'm going to shoot a film on my vacation!
It was going to be like no other film I have shot. No experienced crew, if any. No experienced
actors. And I'd be shooting in 2 locations I've never been to, and in a country where I can barely
speak the language. The script would have to be extremely simple and with large room for flexibility,
in case problems arose during production.
Day 1: Kyoto. I had arranged to meet Jon Evans at Kyoto station, along with Misako, whom I met
briefly during my stay on the farm near Toyota city. She brought along two other friends Aco and
Jacob. The scene with Jon was shoot at the Heian Ingu Shrine near Higashiyama. I later
discovered that this temple was also visited in the film Lost in Translation. Production was short
and sweet, and very cold that day. Originally, I wanted Jon to try the lines in Japanese, translated
into Hiragana by Misako and Aco, but that took too long, so we stuck with the original English script.
Day 2: Tokyo, about a week later and after finishing a hard week's worth of work on my 2nd farm, I
meet up with Valerie for my last 3 days in Japan. We shot all the scenes in Shibuya. I mistakenly
thought the famous intersection was in Akihabara, but turned out all the scenes were located near the
intersection at Shibuya.
Originally I wanted Valerie to drop off the doll with a girl with a red scarf, but we had trouble
recruiting her friends to act in the part. I was also hoping that recruit could hold up Valerie to do
3 heel clicks. But, fortunately for us, she bumped into her friend Chris (who happened to be a film
student at Temple University) and he was shooting his documentary at the time.
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watch
2:50mins, miniDV
Les Halles, Paris, France
July 13, 2005
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Synopsis: Can two lonely people find each other, or is there no love in their world?
Production Notes:
My first film ever made during my AMC movie camp
with the New York Film Academy @ La Femis in Paris, France. The 2 actors are both French,
one of which spoke no English. I had only 3 hours to shoot and was interrupted numerous times
by the park police for a permit, which of course we had. I ran out of time and had to improvise
the opening scene.
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ReelLightFilms was created by Zhibo Lai. All material on this site including films, videos, scripts
are either created, produced, directed, edited, funded or involved Zhibo
in some nature. All material is property or associated
with ReelLightFilms and cannot be distributed or
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